Revival: Traditional Martial Arts Studio

With the pandemic slowing down our lives for better or worse, there’s no doubt that the impact of a pause like this has had a rippling effect for everybody both mentally and physically. Businesses of course, especially small business, have been hit hard across a multitude of industries.

One such industry that has taken a tough hit is sports, in particularly traditional martial arts. I’ve been a martial arts practitioner, enthusiast, owner and instructor roughly most of my adult life and in that time I’ve never witnessed anything like a scenario we face today. Schools for traditional martial arts and local shops where martial arts equipment are sold have completely shut down. I’ve even seen bigger schools that focus on mixed martial arts close their doors and take down their signage.

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Just as things are looking brighter with the introduction of a vaccine, slowly businesses can begin to recover. Even with the availability of PPP (Payroll Protection Program in the U.S.), there are even more regulations that govern how small businesses can operate in regards to employees and independent contractors, which pose more challenges for small businesses as they move to reopen.

That being said, where does the traditional martial arts studio and related businesses go from here? Unless they have found a way to go completely digital, or transition some part online, the answer to this question is uncertain. As of March 15th, a lot of States in the U.S. have some type of tiered reopening plan which allows for some percentage of patronage including the continuation of recreational contact sports. The unique thing about a martial arts studios is that it is both a small business and a close contact sport. However, instruction of some traditional martial arts isn’t close contact at all and minimal if any.

Something that I have taken away from my practice is the ability to be adaptable. Combined with a beginner’s mindset, I want to propose a few questions that could provide food for thought as traditional martial arts studio owners and instructors seek to reopen and practitioners and students look to return or start training.

First of all we must embrace the inevitable which is traditional martial arts studios are too traditional. Gone are the days of students being introduced to a new art form by walking into a studio to simply sign up for a free class. Let’s respect the fact that consumers are more sophisticated and educated these days with tools like YouTube, Twitter, Yelp, Instagram at their disposal for information. Albeit there’s nothing like the real experience, in today’s society people are learning in all types of ways, including virtually.

Is the old model of a belt system necessary or better yet is it relevant? The belt system was originally introduced to the States as a way to display ranking, eventually turning into the business model utilized by a lot of “black belt mills” today. This essentially keeps the doors open. But is it effective in teaching and retaining the deeper meaning and universal applications that traditional arts contain? Some would argue that a belt system is irrelevant because it merely acts as an outward reward. Others would contend that people need a reward to further boost confidence and self-esteem. What do you think?

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Regardless of a belt system or not, how does it correlate with a studio’s revival coming out of a pandemic? I feel that this is an important question to ask yourself as an owner. It’s also important for a student to ask themselves how they feel about a belt system. Given that a lot of time has passed since we could go out and be in public without a care, it has given practitioners and potential students an opportunity to reflect on what is truly important to them and what they want from their training. Do belt systems create community or division amongst the student body? Is it used for profit or is it setting a student up for enlightenment? I suppose that is a question of culture, about the art itself as well as the studio teaching the art.

For me, I’ve trained at studios that live and die by the belt system for profit and some that literally maintain their lights with that as their business model. Conversely, my best experiences have been training in systems that don’t believe in a belt system. The classic saying, “belts are used to hold up your pants”, comes to mind. To hold up pants not hold up an entire school.

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Something else to consider as studio owners and instructors begin the financial recovery process. Does the studio or owner have a strategy for growth? Growth in diversifying their student base as well as their avenues to generate income. Thinking back on the idea of incorporating a belt system, something it can potentially do is hinder an owner/instructor’s ability to grow out of their comfort zone and allow for settling on old ways. This is dangerous. Honestly, a business owner should never become stagnate. I believe this is where the word “traditional” becomes a crutch. The studio becomes stale as well as the art.

Why is this important to think about? Experience and innovation. This is key to introducing traditional martial arts to seasoned practitioners and new students alike. This is how studios can stand out. Students remember, more than anything what they’ve learned and what they experience. If they truly feel the art is fresh and innovative in ways that relates to modern times, speaks to them, their experience is rewarding in itself. 98% of the schools I’ve visited or trained at are boring and out-of-date. Quite honestly, forgettable. Tradition can still be taught through the philosophy and history of the martial art. Studio owners and instructors have to be willing to make this a part of the foundational curriculum. And not a simple blurb on a students first day about how the art was created or where it comes from and who to bow to. There is meaning behind each movement, lessons on how to be present or in-the-moment, and applicable concepts that go beyond martial arts that extend into our daily lives and rituals.

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It should go without saying that most studios, by now, have implemented the use of social media to communicate to their followers. And if so, was it easy to introduce new ways to communicate about the studio and about the art? It should be part of the belief of the studio, the ethos if you will, to introduce new ways to experience training to gain and retain students as well.

I talked about the curriculum earlier. That should be reviewed twice a year, if not annually at the very least. I talked about the belt system and the weight that it carries or doesn’t carry. That is something that should be reconsidered. Perhaps moving to tiered or leveled curriculum may be a better approach. All things considered, it’s time to not only recover but also a time to revive and reinvent oneself, one’s art form, practice tradition in similar but innovative ways, and reinvigorate the traditional martial arts studio.

It’s time to avoid the homogenized drudgery that is the “traditional” martial arts studio. Students should be aware that if they settle for the status quo that’s exactly what they will experience.

To further assist in jumpstarting the revival process and to keep the conversation going, I have created a Revival Survey, which can be downloaded and completed at your convenience. Once completed, please let me know what you have discovered and what you think your first step should be. Thank you!

Click to View and Download the Revival Survey

Is It the Shoes?

By now you have probably heard of, or are vaguely familiar with, Bruce Lee. If not, stop reading right now and do yourself a tremendous solid. Visit: https://brucelee.com/bruce-lee

Anyways… Back in 1978, Bruce Lee dropped the ‘Game of Death’. That’s when, in my opinion, the martial arts shoe game officially began. Bruce introduced to the world the now iconic custom pair of unforgettable yellow Asics fencing shoes that were as effective as they were ostentatious. His opposite in the film, Ji Han Jae – Hapkido Master, was sporting a white pair with red and blue stripes. Quentin Tarantino would go on to pay homage to Bruce Lee’s iconic yellow jumpsuit and shoes with Beatrix Kiddo (Uma Thurman) in Kill Bill 1.

Why did Bruce Lee choose this shoe to best represent portray the fighting in film as well as off screen? Perhaps taking a look at the past can lead to some solid theories to why.

For the most part, kung fu practitioners had limited options at the time. “China Flats” were widely the most available and iconic themselves with an, “as seen on TV” appeal. As someone who has tried to train in the different variations of them, they are completely unstable. With cotton or hard plastic soles, any type of aggressive movement and they were off your feet. Good for tai-chi though.


Today’s traditional and contemporary practitioners are more agile, more mobile, and versatile than ever before. Thus the need for proper foot support is essential in training. I can’t speak for Bruce Lee but what I gather while reading the Tao of Jeet Kune Do, is that he had this in mind in developing a new philosophy for the modern artist. Having picked up different techniques from fencing, western boxing, judo, jiu jitsu, and savate, it became evident that a new shoe would be needed to perform the techniques outlined in his teachings, particularly mobility. Fencing being the most influential in his footwork, the Asics fencing shoe was well suited for it.

Having practiced the footwork in Jeet Kune Do, the Asics Mexico 66’s are light and airy while providing the grip needed for the swift and nimble front-to-back, and side-to-side bouncy movement JKD requires for efficiency.

While it’s up for the debate whether or not Bruce Lee wore an exact pair or early prototype for the Onitsuka Tiger Mexico 66, he did where Asics both on and off screen as did his cohorts. The Japanese brand made a home designing soccer and various olympic sport shoes. The Onitsuka Tiger brand, Asics predecessor, has its own unique beginnings promoting youth health and to this day still makes a solid martial arts shoe.


Another very popular shoe for martial arts, particularly wushu and kung fu, is by a Chinese brand based out of Shanghai – Feiyue. In my opinion, Feiyue is the supreme option for practicing kung fu. It’s durable canvas body can handle the demands of countless training sessions. The flexible rubber sole moves in unison with the foot and most importantly they’re extremely light weight. (The French counterparts are noticeably heavier and not designed for training).

I’ve trained in Feiyue shoes for over 15 years and still recommend for most traditional martial arts practitioners. They’re durable, light, breathable, and competitively priced for people of all levels of experience.


Nike had a rare release kung fu shoe called, Shaolinquan (which is the name for Shaolin Kung Fu better known as Shaolin Fist). They were released for the 2008 Beijing Olympics for Wushu competitors. As quickly as the Olympics died down, so did the Nike Shaolinquan sneakers.

By the looks of it, the Shaolinquan has a specific practitioner in mind, the wushu artist for an olympic floor performance. The rounded sole makes for an easy drop and rise up from a seated or grounded position but with an all leather upper might make them unbreathable and can suffocate your feet, especially during training and long forms. A show or testing shoe at best. Nike may own the highest quality in regards to technology and material used, but if you do a search you can find numerous options inspired by the look and style of the Shaolinquan from other brands. Google #wushu.


The list of martial arts shoes is endless these days. In selecting a shoe for training, one must be aware of their particular style and training methods that will be encountered learning the particular martial art. Like all sports, quality of material and functionality are key and must meet what the martial art style demands. Stick with the basics: durability, breathability, and flexibility just as what I feel Bruce Lee had in mind. Flexing a little on the looks of the shoe is where one’s personality is expressed, but should be an afterthought for serious practitioners.

Originally posted June 29, 2017. Revised Jan. 25, 2021.